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Shakespeare's Hybrid Faith offers a complete review of current scholarship on Shakespeare and religion and a fresh perspective on the vexed question of the dramatist's religious orientation. It throws new light on the issue by dismissing sectarian and one-sided theories, tackling the problem from the angle of the variegated Elizabethan context recently uncovered by modern historians and theatre scholars. The book argues in particular that faith was more of a quest than a quiet certainty for the playwright.